ASTONISHING X-MEN Vol.2: DANGEROUS (TPB)
- Joss Whedon & John Cassaday
So the second trade paperback of Whedon's run on AXM has (finally!) been released. It collects the second arc of his run, #7-12, and after such an amazing start with his first six issues, expectations were high to say the least. So does it live up to the hype? Well duh! It's JOSS WHEDON, boys and girls.
If you are unaware (and let's face it, there's no reason for you to be otherwise) I am a very big fan of the man Whedon. His CV reads basically like a list of some of my favourite things in the worlds of TV, film, and comics over the past 10 years. Buffy, Angel, Firefly, Serenity... it's not right for a man to be that talented.
But what of AXM? Well, this second arc has everything that made the first so enjoyable: excellent dialogue, crisp characterisation, and absolutely gorgeous artwork from John Cassaday. I read through the whole trade in one sitting just as I did the first, but truth be told I didn't find the story quite as intriguing as the first. The whole 'mutant cure' thing from "Gifted" is hardly touched upon, which surprised me. And whilst I didn't find the story of the Danger Room becoming sentient quite as silly as some did, the lack of progression on threads set up in the first arc did leave a nagging feeling of dissatisfaction. But these really are minor niggles for what is one of the best reads in mainstream comics today. Whedon has made the X-Men glorious again, and for that we should be thankful. He's injected a sense of fun (not to mention all that intrigue) into a group of characters who were becoming very old hat. Even Grant Morrison could only avoid that by going really far out with his run. But Whedon and Cassaday have made them superheroes again. He's bringing the humour, which is all to the good.
I can't say enough good things about Whedon's dialogue. I don't think anyone has blended dialogue with characterisation as well as this before. A single quote can tell you all you need to know about the characters. And has there ever been as perfect a match 'tween writer and artist as Whedon and Cassaday. If Marvel had any sense, they'd do all they could to tie these two down for the next several years. On the other hand, I'm having a geekgasm just thinking about what these two could do if they were let rip on something bigger than the X-Men. A Whedon/Cassaday Spider-Man book? Yes, please! Or even better, how about shipping them over to the Distinguished Competition where we might get... wipe that drool away... a Whedon/Cassaday Batman book?
So overall then, this is a must-read for comics fans and non-comics fans alike. It's far and away one of the best comics around, and the best news is that having been on a brief hiatus (partly because Joss was busy promoting "Serenity", and partly because it freed the characters up for use in the "House of M" storyline) the book is now coming back for its second year, starting in February. Because of his inability to meet deadlines every single month (hey, I never said the guy was perfect), Marvel have made the sensible decision to make AXM bi-monthly. Unfortunately, for us 'wait-for-the-trade'-ers, that means we probably won't see Vol.3 until at least February 2007. 2007! Still, there are still some story threads that Joss has promised to pick up. Just what is going on with Emma Frost? Where do her loyalties lie, and what the hell was the Hellfire Club doing on Genosha? Have the X-Men really severed all ties with Professor X? Is there more to come regarding the mutant cure? And exactly which X-man is destined to destroy another planet - 'cause you just know we haven't seen the last of Ord or the Breakworld. And perhaps most interesting of all: the 'Astonishing' aftermath of House of M. Only 198 mutants left in the world?! You really think Joss is gonna ignore that? Hell no.
So even if it is a long (loooooooong) way away, I guarantee it'll be worth it. It's going to be a helluva ride.
ULTIMATE X-MEN Vol.12: HARD LESSONS (TPB)
- Brian K. Vaughan & various
After whipping through the second AXM trade in one sitting, getting very excited about how good comics are right now, and praising the heavens that I'm alive when Joss Whedon was pumping out work-of-genius after work-of-genius, I was in a pretty damn fine mood when I sat down to read Vol.12 of the generally superb Ultimate X-Men. It's with a heavy heart, therefore, that I must report how disapointed I was. Vaughan is a fantastic writer and on the whole I've enjoyed his run on UXM. But I've never fully shaken the feeling that he's at his best when working on one of his own series. Y: The Last Man and Ex Machina are two of my favourite comic books at the moment, two of the best comics at the moment, but Vaughan hasn't quite managed to spread his magic onto the Ultimate X-Men. Don't get me wrong, there's some been some great stuff during his run, some very inventive things too. But Whedon's run on Astonishing has put all other X-books in the shade, and when you see how good things can be, it's frustrating when that quality isn't met across the board. There's just... something... missing, and I can't put my finger on what it is.
My mood wasn't helped when I saw that this trade re-printed the UXM Annual. The Ultimate annuals that were released a few months back were one of the few times when I actually bought 'floppies' (normal comic books) because I wanted to make sure I could keep them in chronological order to their respective series. I don't think the Ultimate Spider-Man or The Ultimates annuals are being collected in their next trades, so why is this one? If there weren't enough issues to warrant a trade, why not just keep the issues and put them in with the next one? At least them we get one slightly longer TPB, instead of what we have now - a trade basically consisting of a two-part story bookended by standalone issues. Like I said, I was pretty disapointed overall with this trade. Well, except for one thing. I must admit it was a pleasant surprise was seeing Steve Dillon's artwork in the first issue collected in this volume. Unfortunately it was a pretty flat issue story-wise; it wasn't a great showcase for Dillon, who I always feel is at his best when really allowed to let loose and be creative. This just wasn't the issue for that, and made me long for the days when Dillon was teamed with Garth Ennis on Preacher. Aahh, Preacher... y'know, it just might be time to re-read those books again.
- Joss Whedon & John Cassaday
So the second trade paperback of Whedon's run on AXM has (finally!) been released. It collects the second arc of his run, #7-12, and after such an amazing start with his first six issues, expectations were high to say the least. So does it live up to the hype? Well duh! It's JOSS WHEDON, boys and girls.
If you are unaware (and let's face it, there's no reason for you to be otherwise) I am a very big fan of the man Whedon. His CV reads basically like a list of some of my favourite things in the worlds of TV, film, and comics over the past 10 years. Buffy, Angel, Firefly, Serenity... it's not right for a man to be that talented.
But what of AXM? Well, this second arc has everything that made the first so enjoyable: excellent dialogue, crisp characterisation, and absolutely gorgeous artwork from John Cassaday. I read through the whole trade in one sitting just as I did the first, but truth be told I didn't find the story quite as intriguing as the first. The whole 'mutant cure' thing from "Gifted" is hardly touched upon, which surprised me. And whilst I didn't find the story of the Danger Room becoming sentient quite as silly as some did, the lack of progression on threads set up in the first arc did leave a nagging feeling of dissatisfaction. But these really are minor niggles for what is one of the best reads in mainstream comics today. Whedon has made the X-Men glorious again, and for that we should be thankful. He's injected a sense of fun (not to mention all that intrigue) into a group of characters who were becoming very old hat. Even Grant Morrison could only avoid that by going really far out with his run. But Whedon and Cassaday have made them superheroes again. He's bringing the humour, which is all to the good.
I can't say enough good things about Whedon's dialogue. I don't think anyone has blended dialogue with characterisation as well as this before. A single quote can tell you all you need to know about the characters. And has there ever been as perfect a match 'tween writer and artist as Whedon and Cassaday. If Marvel had any sense, they'd do all they could to tie these two down for the next several years. On the other hand, I'm having a geekgasm just thinking about what these two could do if they were let rip on something bigger than the X-Men. A Whedon/Cassaday Spider-Man book? Yes, please! Or even better, how about shipping them over to the Distinguished Competition where we might get... wipe that drool away... a Whedon/Cassaday Batman book?
So overall then, this is a must-read for comics fans and non-comics fans alike. It's far and away one of the best comics around, and the best news is that having been on a brief hiatus (partly because Joss was busy promoting "Serenity", and partly because it freed the characters up for use in the "House of M" storyline) the book is now coming back for its second year, starting in February. Because of his inability to meet deadlines every single month (hey, I never said the guy was perfect), Marvel have made the sensible decision to make AXM bi-monthly. Unfortunately, for us 'wait-for-the-trade'-ers, that means we probably won't see Vol.3 until at least February 2007. 2007! Still, there are still some story threads that Joss has promised to pick up. Just what is going on with Emma Frost? Where do her loyalties lie, and what the hell was the Hellfire Club doing on Genosha? Have the X-Men really severed all ties with Professor X? Is there more to come regarding the mutant cure? And exactly which X-man is destined to destroy another planet - 'cause you just know we haven't seen the last of Ord or the Breakworld. And perhaps most interesting of all: the 'Astonishing' aftermath of House of M. Only 198 mutants left in the world?! You really think Joss is gonna ignore that? Hell no.
So even if it is a long (loooooooong) way away, I guarantee it'll be worth it. It's going to be a helluva ride.
ULTIMATE X-MEN Vol.12: HARD LESSONS (TPB)
- Brian K. Vaughan & various
After whipping through the second AXM trade in one sitting, getting very excited about how good comics are right now, and praising the heavens that I'm alive when Joss Whedon was pumping out work-of-genius after work-of-genius, I was in a pretty damn fine mood when I sat down to read Vol.12 of the generally superb Ultimate X-Men. It's with a heavy heart, therefore, that I must report how disapointed I was. Vaughan is a fantastic writer and on the whole I've enjoyed his run on UXM. But I've never fully shaken the feeling that he's at his best when working on one of his own series. Y: The Last Man and Ex Machina are two of my favourite comic books at the moment, two of the best comics at the moment, but Vaughan hasn't quite managed to spread his magic onto the Ultimate X-Men. Don't get me wrong, there's some been some great stuff during his run, some very inventive things too. But Whedon's run on Astonishing has put all other X-books in the shade, and when you see how good things can be, it's frustrating when that quality isn't met across the board. There's just... something... missing, and I can't put my finger on what it is.
My mood wasn't helped when I saw that this trade re-printed the UXM Annual. The Ultimate annuals that were released a few months back were one of the few times when I actually bought 'floppies' (normal comic books) because I wanted to make sure I could keep them in chronological order to their respective series. I don't think the Ultimate Spider-Man or The Ultimates annuals are being collected in their next trades, so why is this one? If there weren't enough issues to warrant a trade, why not just keep the issues and put them in with the next one? At least them we get one slightly longer TPB, instead of what we have now - a trade basically consisting of a two-part story bookended by standalone issues. Like I said, I was pretty disapointed overall with this trade. Well, except for one thing. I must admit it was a pleasant surprise was seeing Steve Dillon's artwork in the first issue collected in this volume. Unfortunately it was a pretty flat issue story-wise; it wasn't a great showcase for Dillon, who I always feel is at his best when really allowed to let loose and be creative. This just wasn't the issue for that, and made me long for the days when Dillon was teamed with Garth Ennis on Preacher. Aahh, Preacher... y'know, it just might be time to re-read those books again.
Current Mood: geeky
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